Champagnera - Champagne / Wine Cooler Stand

$1,040.00
Designed by:  Andres Martinez
Manufactured by:  Nomon

This champagne/wine cooler stand is profoundly luxurious – its aesthetics lie in the sophisticated combination of materials – solid walnut, marble, finished aluminum, and glass.  A solid walnut post emerges from the disc-shaped marble base and supports a color-finished aluminum well that similarly supports a thick, clear glass bucket that not only holds ice but its transparency objectifies the cubes as they nestle around a bottle of your favorite champagne or wine.  A piece that will instantly become the focal point of a dinner party.  The various options for marble and aluminum finish provide several different overall looks for Champagnera.  Manufactured by Nomon.
 
Designed in 2015.

9.8” Diameter, 34.6” H

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Nomon Champagnera - Champagne / Wine Cooler Stand
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Designed by:  Andres Martinez
Manufactured by:  Nomon

This champagne/wine cooler stand is profoundly luxurious – its aesthetics lie in the sophisticated combination of materials – solid walnut, marble, finished aluminum, and glass.  A solid walnut post emerges from the disc-shaped marble base and supports a color-finished aluminum well that similarly supports a thick, clear glass bucket that not only holds ice but its transparency objectifies the cubes as they nestle around a bottle of your favorite champagne or wine.  A piece that will instantly become the focal point of a dinner party.  The various options for marble and aluminum finish provide several different overall looks for Champagnera.  Manufactured by Nomon.
 
Designed in 2015.

9.8” Diameter, 34.6” H

Nomon

Based in Spain with distribution in over 60 countries, Nomon creates visually stunning clocks and furnishings that express function as sculpture.  Known for his avant-garde clocks, Nomon’s principal designer is José María Reina whose timepieces and objects are innovative in their combination of materials – each is made by hand and exquisitely crafted.  Regarding materials, the designer remarks that “whatever material, as unusual as it may appear to be, has the possibility to look exquisite if it is treated with criteria and objectivity at the moment the piece is produced.”